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Each week I get a number of makeup artists emailing me for advice about selecting the right airbrush equipment and airbrush makeup for their particular application needs. I have been teaching airbrush technology and technique through my professional workshops for nearly two decades now and the airbrush market today has, by far, some of the best equipment ever designed for beauty use. In recent years this handy gadget has undergone significant system refinements, thus the quest for the flawless face has taken a giant step forward in achievement.
Artists who are new to this tool, or have yet to take any skill acquision instruction, are in anxious need of a concise approach in wading through the numerous operating system options available. Man y branded airbrush makeup companies have strategically worded advertising, and some with celebrity artist endorsements, to convince you their products are the one stop shop for all your airbrush application needs. Don’t be entirely taken in by publicity marketing and the lack of explanation or truth of what you are really buying into without serious comparison shopping first. Artists need easy to understand and unbiased technical information to help them interpret multifaceted airbrush schematics and their operating ratios. Begin to think in these simple terms: “how low should it blow for the technique in application to be in perfect control?”
With the onset of full digital signal broadcast (HDTV) the airbrush has definitely become one of the frontline tools in the makeup artist’s brush skill arsenal for more control in providing a precision makeup application for this format. The airbrush had been used for decades in special makeup effects work, but found its way into straight beauty use as airbrush systems became smaller and more streamlined in weight and portability. These newer petite units are designed to provide consistent low air pressure transport for the best control and m anagement of transparency in a makeup application. The airbrush can distribute a “see through” finish that gives skin a more fresh or inborn look, which allows the complexion to retain more of its organic texture. Most importantly it can deliver a range of translucent results that is not quite achievable by hand applied methods.
The unique feature about applying liquid makeup through an airbrush rather than by hand is how it naturally “pixilates” to skin. The fluid is atomized with pressurized air through a trigger activated nozzle assembly, and releases a controlled spray of microscopic color “dots”. This causes a distinctive pattern of color distribution and texture that achieves more subtle looking coverage than you can get with the traditional sponge or brush method. The artist’s airbrush skill in technique in delivering the application is also better refined by using an airbrush system that provides low enough variable working pressure, thus it allows them to have more control in achieving flawless looking results.
The airbr ush should be viewed as an important transparency to opacity delivery tool that allows an artist to work with greater latitude on either end of that spectrum. Hand applied foundation can only be stippled, patted, smoothed, stroked (or whatever your favorite technique) to a certain degree before it starts to be smeared around or taken back up again, The airbrush allows you that extra degree of transparency you can’t get with hand applied, which can literally take down shine without adding barely any visible color. Or, it can give you a much smoother and more natural looking build towards opacity for more coverage if you need it. It also eliminates any possible lines of demarcation often seen with hand applied makeup. Even the most carefully blended out application can still show small streak mark left by sponges in HD, especially in very large TV viewing screens.
 Most of all, airbrush makeup is a completely sanitary application because no tools directly touch the skin in its delivery. In Part 2 we will identify and discuss the importance knowing of airbrush system interfacing ratios before you buy, which has a direct impact on the type of makeup application (face, body or both) you want to use it for. The right unit will also help you develop good airbrush techniques, approach and delivery in your application, and achieving the most flawless looking results.
Recently I have been getting a lot of inquiries from makeup artists about reflective ingredients in cosmetics. These are what I call the little “micron mirrors” that are found in the majority of makeup products on the market. The major reflective agents most commonly used are mica, silica, and titanium dioxide which have been pointed to as the makeup feedback culprits in flash photography and cosmetic reflection issues in HDTV. These are ingredients commonly found in cosmetic powders and finishing products, and they are the main component utilized in mineral makeup lines.
The simple translation is, these ingredients are added to cosmetics not only as binders, thickeners, extenders, and slip agents, but supposedly they give the illusion of a softer more youthful look by reflecting light away from visible lines and wrinkles. The reality is that the more abundant these reflective ingredients are in the product, the more your face will look like a walking glitter factory, especially in outdoor sun. Ironically, the high absorbency properties of these ingredients can actually be very drying on many skins, and end up accenting lines and wrinkles more than visually reflecting them away!
Reflective ingredients don’t always transform skin into smoother visual perfection. It’s an idea that people think works in theory to soft focus or diffuse light spill on skin, but it actually ends up sitting on top of the skin looking like blinking headlights. For a further look into this issue I have compiled a condensed tutorial to help you understand what these elements are and how they work in a cosmetic product. I won’t bore you with long biology/chemistry explanations, but give you just enough to make you more educated in your cosmetic ingredient knowledge that will hopefully enlighten your makeup selection and application decisions.
Let’s start with Mica, which is actually a name given to a group of crystallized earth mineral salts that are similar in composition and physical properties. They are also silicate class minerals, which mean that they also contain silica components. Mica has a metallic-like form resembling thin rock sheets, or flakes, that have a strong, pearly-like iridescent luster. The mica flakes are easily split and micronized into small particles for cosmetic use. 
Mica acts as a texturizer, filler and thickener, and is used as a stabilizer to help pigments maintain their suspension in a formula. Mica helps to increase slip and adhesion properties in a cosmetic and reduces “clumping” of other powder ingredients, like talc. Because of its pearlescent properties mica is used to produce pearlescent pigments, and most often bound to pigments as a color booster and tone brightener. Mica has a very strong holographic nature; meaning it easily transmits and reflects light, so it adds a glittery-like shimmer or sparkle to whatever pigment or compound it is blended with. Mica is also the main pigmented ingredient for all mineral based makeup.
Silica (or silicon dioxide) is a white or colorless mineral found abundantly in sandstone, clay, granite, and quartz. It has a metallic-like reflective texture, and is the principal ingredient used to make glass. The type of silica used in cosmetics is NOT the industrial crystalline dust particle form, but the cosmetic approved form of ground (rounded) silica microspheres. Silica has natural ab sorbency and thickening properties so it also used in cosmetics as an absorbing and thickening agent. It also improves the smoothness, slip, and wear in foundations, creams, and powders. Silica is also strongly holographic so it possesses light reflecting properties. It is also used as a binder to pigments as a color brightener.
Titanium Dioxide is an earth mineral that occurs in nature as three crystallized forms: rutile, anatase, and brookite. In its natural state it looks silver-gray and often with a multi-colored iridescent metallic tarnish to it. 95% of the world’s use for titanium processing is for the pure white pigment produced from it, and its ability to be a highly effective physical sunscreen agent. Titanium dioxide has a very high brilliance to it and excellent light scattering properties, yet it is strongly opaque, which helps give good coverage. This makes it the best cosmetic whitening ingredient and a very highly effective blocking vehicle against the sun’s penetrating UVA and UVB rays.
I am also including Talc in this line-up because it strongly intertwines into the performance of the above ingredients. Talc is hydrated magnesium silicate, a naturally occurring silicate mineral ore (rock) of magnesium. It is chemically inert to acids and alkalis’ which makes it an excellent filler and binding ingredient, especially for pigments. Talc is valued for its high degree of opacity in coverage, smoothness, softness, and high absorption qualities. It is a very inexpensive ingredient to formulate with and it binds well, which is why it is so pervasive in cosmetics.
Cosmetic talc is often combined with calcium carbonate (or other silicate salts) to increa se its absorption capabilities, and to counter or reduce the effect of talc’s naturally occurring luster. It’s moisture repellent properties make it staple product for sealing and finishing of all kinds of makeup applications, as well as making products last longer in wear.
Now that you have a basic understand how these ingredients work, it is fairly simple to add up the pros and cons of their uses in professional makeup that require a non-reflective situation. Consumers will need to start reading labels to know how much of a glitterized appearance they may ultimately encounter when wearing products with any of these ingredients or a combination of them.
Please understand that I am not saying these are bad ingredients for makeup use. As you can see they are necessary in certain amounts to facilitate product efficiency in application and wear. It just means makeup artists will need to be more aware and know more about how these elements or their combined compounds and mixtures in a product will translate in their makeup application for media work, especially in high resolution photography or full digital (HDTV). It largely depends on how micronized the element particles are, how they unite as emulsifying facilitators, or if they are added in as light diffusing reflectors.
The first clue is a visual inspection of the product: if you can see reflective agents in the product while still i n the container then you definitely know you will be dealing with that issue in the end result. I strongly recommend that you do your inspection in outdoor noon-day sun or the indoor light equivalent of 4500-5500k temperature, so that you can test it on your skin and properly evaluate the product for reflectiveness. If you can see it on skin, then you can bet you will be dealing with reflective issues in camera if you use it.
As a makeup artist working in HDTV I am naturally sensitive to reflective products, and always highly suspicious of products claiming “soft focus ingredients make skin look smoother and more diffused on screen”. The reality I see is that these “soft focus” reflective ingredients look like annoying little micro mirrors on skin in the camera and monitor. My own experience tells me that titanium dioxide can actually boost the reflective properties of mica and silica if they exceed certain proportions, and especially so if they are combined with talc. Talc will almost insure that these mineral additives will sit on top of the skin.
Another potential issue I see added to this situation is silicone ingredients in foundations. Silicone and its derivatives (dimethicone, cyclomethicone, crosspolymers, etc.) are inherently shiny in their texture and transparent enough to enhance or boost other reflective ingredients they come in contact with. Using powders with reflective ingredients on silicone makeup is nothing short of a potential makeup maintenance nightmare in the making. If you are dealing with topical skin moisture issues (perspiration and skin oils) on top of all this it can create a near impossible bal ance with good makeup maintenance and continuity in wear, especially for a long shoot day. You can almost bet you will be pulling the makeup off at some point in the day and doing it over again.
Hopefully this tutorial will help artists and consumers become more educated in these issues, and it’s always wise to expand your cosmetic chemistry knowledge to be able to make the right decisions for your needs. I didn’t really address the use of mineral based makeup here directly, but I feel that there is enough information about mineral ingredients in general to help guide you in your own decisions about mineral makeup use. A good article on mineral makeup was published on WebMD, and one that I feel makes some great points about the popularity, use, and claims in performance with mineral makeup. Click here to read the article.
As Christmas begins to draw over us this evening we must hold close to our hearts the many blessings we enjoy, not only as artists, but as men and women who celebrate freely in the manner or faith we chose to do so. Many candles will be lit tonight at many Christmas Eve services around the world that celebrate the original reason for the season, which is the birth of Jesus Christ.
As you enjoy wonderful Christmas meals and goodies, and open beautifully wrapped presents from thoughtful friends and relatives, please take a brief moment to remember the valiant service of the many men and women of this great nation’s military who are deployed all around the globe. They will not be with their loved ones sharing in the delight and festivities that this holiday time of year brings. Rather they will, again, be standing guard and watch over the freedom and liberty we have to enjoy another season of celebration.
Take a moment this Christmas and pause in whatever manner of reverence for the continued safety of our military and civilian law enforcement. Remember that they and their loved ones have given up and sacrificed much in support of our great country. They have answered a high calling to serve and protect, a burden they willingly carry for us, and we must never forget to show appreciation, care, and respect for what they do. Without their vigilance there would be no freedom to celebrate a holiday that this nation cherishes, and in the religious fashion people choose to do so.
Christmas will also bear the marks of the brave and courageous who have fallen in the line of duty. The families and loved ones they have left behind will have empty places and heavy hearts that are still healing from their loss. Let us honor them in remembrance of their ultimate sacrifice. We are thankful for those who have safely returned and let us always show our gratitude for their patriotic service. May you have a truly blessed and meaningful Christmas holiday and wishing you the most prosperous New Year ever in 2010.
I have now declared myself the unofficial poster girl for an artificial fragrance free world. I knew it was the last straw yesterday when I came home from a TV commercial shoot location with the worst headache and sinusitis triggered by an overdose of multi-scented minutia. There were candles and automatic room sprays doing their thing in an enclosed setting. I could feel the telltale signs of a severe eczema attack also cropping up as I was applying makeup to the talent extras in my chair who were obviously wearing cologne or scented body lotions.
Granted this not a typical mainstream work situation, but my body was being been severely beaten down with odors that seemed to emanate from every direction in the home we shooting in. Towards the end of the day I had to have my assistant makeup artist take over completely because I became too sick from the heavily scented air in the environment to stay focused with my eyes and hands. Needless to say I was extremely grateful I had her with me, and that we could finish the job in a professional manner.
From my point of view artificial fragrance is a major pollutant in the workplace that is miserably tolerated, especially with fragrance sensitive persons like me. Studies and statistics show that nearly 20 percent of the population is chemically sensitive and artificial odor reactive, so this isn’t a freak of nature condition. In fact, exposure can trigger more serious medical conditions, such as full blown asthma, or other types of respiratory and immunological attacks. I am beginning to realize that people in general don’t really understand how serious this problem is, or how dangerous it can be to the chemically sensitive who are exposed continuously to artificially odorized environments.
Artificial fragr ance is added to about every liquid, semi-solid and solid, and powder based medium we use in our daily lives. People are naturally drawn to fragrance because of it’s abilities to effect positive changes their moods and productivity, and retail companies know that it also increases spending patterns such as impulse buying. Just ask anyone who works in a fragrance based business or walk into a major department store during the holidays. You almost can’t avoid the fragrance models who fill the air with the samples they spray and hand out. Shopping at these stores pose a major health risk to odor sensitive individuals, and with a heightened flu season epidemic it can just about do a body in.
I realize that fragrance is an essential component of our cosmetics world. Many cosmetic ingredients must have fragrance “masking” in order to make the chemical mixture odor tolerable as we put it on our bodies. Among the most offensive in odor are many of the natural or organically derived product ingredients that must undergo a synthesizing process, which includes odor masking. Without added fragrance they wouldn’t be marketable, and therefore bearable to apply to the skin.
 It is a fact that several types of auto immune diseases (both systemic and topical) are on the rise, and I am wondering out loud if artificial fragrance is a major contributing factor. I battle an ongoing a skin disorder (eczema) in which an eruption can be directly triggered by fragrance and can last for days or weeks. These outbreaks are not only painful but expensive, and because of the very strong prescription ointments I have to use to help promote the healing. Not to mention that these medications, over time and use, will chemically thin the skin mantle permanently and cause premature aging. Not exactly the kind of side effect I want at my age, as I need all the anti-aging help I can get!
Tracie DeFreilas Saab, M.S., is the author of a white paper discussion, “Individuals with Fragrance Sensitivity”. She cites some of the common reactive symptoms of fragrance sensitivity, which are also listed on the Job Accommodation Network website (www.jan.wvu.edu), a service of the U.S. Department of Labor (DOL):
* Nausea * Difficulty breathing or tightening of the throat * Hoarse voice or loss of voice * Tingling of the lips and skin * Skin rashes
Because of the growing seriousness of this problem in the workplace there is much research that has been done, and activism that underscores the importance of fragrance sensitivity awareness. Standard  operating procedures are being applied in municipal and government job markets to help educate and reduce the exposure to high risk individuals. The good news is that many employers and employees willingly make changes when they are told about the ill effects of fragrances on their colleagues.
There is a lot of research, guidelines, workplace protocols, and white paper discussions on the internet concerning fragrance allergies in the workplace. WebMD, a very well respected medical resource on the web, has a good article: Fragrance Allergies: A Sensory Assault. Another article is from the Human Resources Management Guide website: Fragrance Sensitivity. I encourage you to do your own investigation by using this search engine phrase “fragrance allergies in the workplace”.
So what does this have to do with makeup artistry you say? Plenty. The environment you work in has a lot to do with how well you can perform your job, and this includes avoiding health hazards that pose a high risk to your well-being. As such, I don’t allow artists assisting with me to wear fragrance on the job. When I routinely check with principal talent about their sk  in condition before they arrive on set I also ask them to refrain from wearing scented products. It is an accepted practice not to smoke on set, especially in the makeup room, so I see not wearing fragrance as becoming an extended part of that courtesy.
Finding good fragrance free products that perform well has become almost a second career in research, trial and error. Next time I will share some of my findings, and thoughts on how fragrance free balances with the cultural move towards a more eco friendly environment.
Color is what radiates life to our eyes. It is the essence of all things organic in nature and what we strive to faithfully recreate in our art forms. Color is a sustaining renewable resource because no matter how devastating natural disasters can be to the landscape, color eventually returns without any artificial persuasion. At night, color becomes a magnificent study in gray scale values, but few realize that those dark and light contrasts are the underlying rules of how color is structured and composed to be pleasing to the senses.
It is difficult to imagine a world without color, but most of the time we take it for granted. Color is as automatic to us as breathing air or walking. We barely scratch the surface in viewing the incredible abundance or intensity of colors in our environment because we have grown so acc ustomed to its seasonal vibrancy. We expect it, and we depend on color to be a constant force in our daily life. We wake up every day to a bright yellow sun, or stroll through lush green gardens with colorful flowers, or perhaps catch sight of a bright red cardinal bird. Even snow has a brilliance, a white that is unmatched by any other visual sensation.
In ancient times color was viewed as a precious commodity and some colors were very costly to make. Ownership of certain colors also represented status in society. Purple, for instance, was a symbol of wealth and power, and was reserved for only the rich because of the vast amount of raw materials and labor it took to make it. An ounce of purple dye, hand made by processing thousands of murex mollusks, was more costly than gold. Even vegetable dyes back then were not nearly as brilliant as the murex purple, nor a s durable. Yet today we have literally millions of hue variations available in intensities and values at our fingertips. Our textiles and cosmetics are bursting with tints, tones, and shades of colors that would have been impossible to make or even forbidden to own in those ancient times.
Color has a strong psychological influence, even at the subliminal level, and can cause us to be attracted or repelled by its visual characteristics. It is the robust ingredient used to create the atmosphere and setting for celebrations, such as weddings, or holidays like Christmas. Color has intrigue that has been studied with passion by philosophers, physicists, and scientists throughout the ages seeking to master its phenomenal elements. From ancient Greeks (Aristotle) to 17th century a lchemist, Sir Isaac Newton, and the celebrated 19th century Polymath, Johann Goethe, to the 20th century painter, Albert Munsell, color theory exploration has produced a body of rules, ideas, and principles by these men and others along the way that have been used to interpret the art, science, and vocabulary of color.
There will continue to be lofty discussions about color theory, and much of it boils down to opinions based on how the studies and research are interpreted. For instance, is light triadic in nature or is it a continuum? Are the primary colors (red, blue, and green) simply light waves that emit from a prism, or is it colorless energy picked up by brain receptor primaries (considered to be cyan, magenta, and yellow) and translated in varying percentages of what our eyes perceive through them?
No doubt, color can be complicated and the scientific aspects of color exploration alone could fill volumes. From Sir Isaac Newton’s first color wheel design to today’s professional colorists who forecast best selling colors and their combinations to manufacturers, it’s a fact that color will continue to define almost every facet of our existence. 
Regardless of how we personally rate color’s importance in our lives, it is an active and sustaining ingredient we experience every moment we are alive. As summer draws to a close let’s take a fresh look at the fabulous colors coming our way in the next few weeks as the Fall season begins. As makeup artists, we can view some of the best examples of color theory in the raw, and study a bit in nature to help hone our creative abilities.
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